This tutorial discusses using the Spyder5Pro to calibrate most desktop screens – that is, screens which have buttons and menus to control contrast, brightness and colour.
Before you begin, please make sure you’ve read this article first.
Not your first time?
If you have previously successfully calibrated with this device, and now you just need to do the monthly recalibration, jump straight down to the Monthly Recalibration section at the bottom of this page. But if this is your first time, read on …
Part 1: Screen setup
Make sure your screen has been turned on for at least half an hour before starting this process.
Make sure you’re in good light. Viewing prints in dim light is a futile exercise. It needs to be bright enough, and white enough. Read this if you haven’t already done so.
Reset to factory defaults (first time only)
When you’re getting ready to calibrate for the very first time, you need to search the screen’s menu to find the setting that puts everything back to its starting point. Every screen is different, so I can’t tell you exactly where to find this function, but trust me, it’ll be there somewhere. It might be called “Reset Screen Defaults” or “Restore Factory Settings”, or something like that. You get the idea.
(When you’re doing subsequent monthly calibrations, this reset step shouldn’t be necessary. But never say never – some screens may need that “kick in the pants” each time, if they won’t recalibrate easily.)
Move the OSD
On a lot of screens, the OSD (on-screen display, ie the menu) is right in the middle by default. That’s no good, of course, because that’s where the calibration needs to take place.
Somewhere in the menus will be the controls for the OSD’s position. Find them, and move it over to one side, or down into a corner.
Adjust brightness to match prints
Compare your prints to your screen, and adjust the screen’s brightness to get an acceptable match. Remember, don’t hold the print close to the screen – it must be out to the side, so you have to turn your head to compare.
Please don’t agonise over this brightness step. Near enough is good enough.
If you’ve never adjusted the brightness of your screen before, it’s likely to seem horribly dim to you at first. Don’t worry, you’ll be used to it in no time at all, and you’ll wonder how you ever tolerated it so bright before.
Choose best colour setting
With your prints still in hand, it’s now time to find the best colour setting that your monitor offers. All monitors will have at least two or three colour presets – they’ll be called “Warm”, “Normal” & “Cool”, or “6500K”, “7500K” & “9300K”, or something like that. (Most will also have a “Custom” or “User RGB” setting, but we’ll try to avoid that complexity if possible.)
Pick the setting which matches your prints the best. If you’re in the lucky minority, you might find one that gives a really good match. But most of us simply have to accept the closest available setting, even if it doesn’t look perfect. Don’t worry, the calibration process will do the rest.
Part 2: Install software
Calibrators no longer ship with disks. That’s fine, because the disks always used to be out of date before we got them anyway.
So when you open the box, the first thing you see is a notice to visit the DataColor website to download the software. On that page you’ll see a video, which I encourage you to watch, because it will demonstrate the installation process.
I don’t anticipate you’ll run into any problems during this process. You’ll be guided through download, installation, plugging in the device, entering the serial number, and activating the software. Finally, the software will launch for you, in readiness for your first calibration.
Part 3: Setup
As soon as the software launches, choose Preferences from the Go or Filemenu:
Set the Recal warning for “1 Month”, then click the “Advanced Settings” button:
The “Show RGB sliders” box should remain unchecked. Click the “ICC Settings” button:
At the time of writing this, Version 4 profiles are still flaky. Make sure yours is set to Version 2:
Press OK a bunch of times to get back to the main welcome screen.
On the main Welcome screen, you can check all four boxes, because we already discussed these issues at the beginning of this article:
When you’ve ticked all four boxes, press Next:
Choose “Desktop” here, of course:
SPECIAL NOTE: On every screen, on the right-hand side, there’s a handy help panel. It’s great, and if you want even more in-depth explanation, you can click on the link at the bottom:
Their help really is helpful, I’m very impressed with it.
Make and Model
As far as I can tell, this screen is only relevant if you chose to share your calibration data with DataColor. Anyway, go ahead and enter your computer’s details:
This is the part where you tell the software what your screen can and can’t do:
This screen is the hub of the whole operation:
By the way, your screen might look different from mine. If yours gives you these three choices, choose “FullCal”:
The Gamma must remain on 2.2:
For now, choose Do Not Adjust for the White Point:
This is where it gets confusing Even though you’ve already adjusted the brightness, choose Adjust here:
No confusion with this one. Leave it off:
… aaaaaaand press Next:
The next screen asks you to set your monitor’s colour preset. I think this step comes too late in the process; that’s why I asked you to do it way back at the beginning, when you chose the one that most closely matched your prints. So don’t do anything here, just press Next:
Part 4: Lights out
At this point, if you haven’t already, turn off the lights or pull the blinds, or whatever. For your best chance of accurate calibration, make your room as dark as possible.
Part 5: Calibration
Tilt the screen back, and use the counterweight on the cord to hang the sensor over the back, so it’s positioned roughly on the diagram on the screen.
Click “Next” to begin the calibration process.
The device will take a minute to read black, red, green, blue and white. Then it will pause here:
At the top it will tell you the Target brightness is 120. This is a nonsense in-built target which is too high for everybody, and I wish Datacolor would wise up and change it.
Don’t worry, what we’re doing here is setting a new target, based on the adjustment you made to your screen before we started.
So your Current brightness reading should definitely be lower than 120. You can see mine is at 98, because my office is quite well-lit. Generally speaking, yours should be between 70 and 100. If so, press “Continue” right away:
BUT … if it’s lower than 70 or higher than 100, I’m sorry, but I kinda need you to stop here, turn your light back on, and go right back to the start, and re-visit your print matching from Part 1. In good light, you really should have a print match somewhere between 70 and 100.
If you can’t be bothered starting over, adjust your screen’s brightness until it’s at approximately 80. That should be a safe area for most people.
IMPORTANT: Don’t forget to hit the “Update” button if you make a brightness adjustment. It will take a moment to re-read, then show you the new number.
Press “Continue” to move on:
For about 2-4 minutes, your screen will display a whole range of colours while the device reads and records them:
NOTE: Please wiggle your mouse every few seconds while calibrating. It’s probably completely unnecessary, but do it anyway. The last thing you need is for your screen to dim itself from lack of activity after a minute or two – that throws the whole calibration into a cocked hat, believe me. Of course, don’t let the mouse pointer go underneath the device – just keep it at the side.
Once the Spyder has taken all its measurements, remove it from the screen, and press “Finish”:
New target notification
Upon finishing, you’ll almost certainly get this little pop-up:
Don’t be alarmed – it’s a good thing. It’s telling you that your new Brightness target has been recorded in the software, where it will be remembered for you for all subsequent calibrations.
Part 6: Save the profile
On this screen, the Calibration Reminder period should already be set to “1 Month”, because you set it in Preferences earlier.
By default, the profile name field will automatically populate with your computer name, and “-1” at the end. If you allow this naming convention, it will add “-2” when you recalibrate next month, and “-3” the month after that, and so on.
I do not agree with this default setting. There’s really no need to keep old profiles from previous months. So I recommend dropping the “-1” off the profile name:
And each month, use the same file name and save over the old profile. It’s a simple measure to prevent clutter on your computer.
Once you’ve named and saved the profile, you’ll get this enthusiastic message:
Part 7: Lights up
Turn your lights back on, or open the blinds, or whatever.
Part 8: The comparison
Here, Datacolor gives us a grid of images to assess the calibration. It’s a completely pointless grid, because we don’t have those prints, do we? To assess the calibration, we need images that we can compare to prints. So immediately press the “Open Custom” button:
One at a time, you can open your print files and compare the screen to the prints. Here are a couple of examples of photos I used:
I wish there was a way to flick between your files more quickly – unfortunately, I haven’t found one. So allow a few minutes to go through all your files a few times, while holding their corresponding prints out to the side, and assess the result of the calibration. Don’t rush this part – take your time.
Remember that if any of your photos have extremely vivid colours in them (eg a bright turquoise dress, or a glowing orange sunset) those colours might be unprintable, and should be ignored when assessing calibration. Concentrate on the “normal/everyday” range of colours instead.
Please let me reiterate – have some tolerance. Calibration isn’t some kind of magic. It can never make ink on paper exactly match light coming from a screen. “Acceptably close” is what we’re aiming for.
On the right-hand side of the screen there’s a “Switch” button which shows you the difference between the uncalibrated and calibrated state of your monitor. This might seem handy at first glance, and it’s fun to toggle for curiosity’s sake, but the truth is it has no relevance to the task of print comparison, so don’t spend too much time playing with it.
How is your calibration?
If you’re satisfied with your print match, click here to go straight to the completion instructions.
However, if you would like to explore more options to see a closer match can be achieved, read on …
Part 9: Troubleshooting
First, consider your light
Please never underestimate the impact your surrounding light has on this calibration/comparison process. If your light is too dim or too yellow (both VERY common problems) it will always make your prints seem darker and/or yellower than they really are, and cause you to think that your screen is too bright and/or cold.
If you think, or even suspect, that your light is the culprit, take steps to rectify it. Get brighter/whiter bulbs if you can, or at least try assessing your prints in daylight. I would hate to be wasting your time with all of these calibration adjustments if the calibration wasn’t actually the problem.
If you’re sure the light is ok, read on …
Let’s try again
Pull down the little menu in the bottom left corner of the screen, and choose “Calibration”:
That brings you to this screen:
Choose “FullCAL“, then press “Change Settings“:
… which brings you back to this familiar screen:
Here, you can choose your new targets for a different calibration.
Choosing new targets
Even though you adjusted brightness before commencing, you might find that you’re not entirely happy with the brightness level you chose.
In that case, re-adjust the brightness for a better print match, then choose “Adjust” again:
Colour: Option 1
There are a few avenues we can try for colour, so allow some time to try a few things.
Your first option is to try changing your screen’s own colour presets, and see if another one seems better. If so, choose it.
In that case, you’d leave the White Point target in the software on “Do not adjust” as before:
Colour: Option 2
If none of the other screen presets look any good, or if you try them and they fail, return your screen to the best available preset, then turn your attention to the presets that the Spyder itself offers.
Generally you’d try 6500K first:
But if you know your screen needs to be much warmer than it is now, you might jump straight to 5800K, or even 5000K. No matter which one you start with, it will probably be a good idea to try them all.
Go ahead and recalibrate
Once you’ve chosen the new settings, you can turn the lights out and calibrate again as before – revisit Part 4 of this tutorial above.
If all else fails
If, after numerous calibration attempts, you can’t get a result you like, go to this page.
Once you’re happy with the calibration, press “Next“:
The final page tells you the gamut of your monitor. It’s not particularly important, because the gamut is what it is – there’s nothing you can do to change it.
You’re done! Press “Quit” to finish.
Datacolor makes the regular recalibration process nice and easy. When the monthly reminder pops up, just make sure your screen has been on for half an hour so it’s warm, then plug in the device and launch the software.
The first few screens you see are familiar to you, and should already be set correctly. Check each one quickly and press Next each time:
Then you’ll get to this screen:
This will all be familiar to you. Once you start, the device will take some readings then pause at the Brightness stage, in case you need to tweak your screen’s brightness slightly to re-match last month’s target. No need to be incredibly fussy about this – as long as the bar is roughly in the middle of the green zone, it will be acceptable:
Then it will continue with its other readings, and allow you to save the profile at the end of the process, then Quit and get on with your editing for another month.